I’m especially drawn to character-driven and concept-forward speculative works, where interesting ideas actually impact the world the author has built. In horror, there’s an added layer of psychological depth because the best horror doesn't just startle you, it gets under your skin and stays there, which requires careful tonal control on every single page.

I started out in professional communications and editorial work, helping academics shape their research for journals and publications. That work trained me to think carefully about structure, clarity, and logical progression. I come to editing with an inquisitive mindset, always asking questions—not just about what's on the page, but about what the story is really trying to do and who it's for. I love helping writers discover angles and possibilities they hadn't considered before. 

My job as your editor is never to rewrite your voice. Instead, I seek to be an extension of your voice, helping you bring your full vision to life. I'm also a published author, so I know firsthand what it feels like to sit with a draft that isn't quite there yet, and how the right editorial guidance can change things. That dual perspective, editor and writer, is something I bring to every project.